- Joined
- 21 April 2005
- Posts
- 3,922
- Reactions
- 5
How do people earn a living from painting etc?
Do art galleries make it possible for unknown painters to display their work?
Any experiences please feel free to tell.
How do people earn a living from painting etc?
.
dawg (and chops and snake et al )Assuming you have the ability, in my experience it is possible. ...
Another path is to enter your work into Art competitions
How do people earn a living from painting etc?
Do art galleries make it possible for unknown painters to display their work?
Any experiences please feel free to tell.
The Vitruvian Man is a world-renowned drawing with accompanying notes created by Leonardo da Vinci around the year 1492 as recorded in one of his journals. It depicts a nude male figure in two superimposed positions with his arms and legs apart and simultaneously inscribed in a circle and square. The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man. It is stored in the Gallerie dell'Accademia in Venice, Italy, but is only displayed on special occasions.[1][2]
Description
This image exemplifies the blend of art and science during the Renaissance and provides the perfect example of Leonardo's keen interest in proportion. In addition, this picture represents a cornerstone of Leonardo's attempts to relate man to nature. Encyclopaedia Britannica online states, "Leonardo envisaged the great picture chart of the human body he had produced through his anatomical drawings and Vitruvian Man as a cosmografia del minor mondo (cosmography of the microcosm). He believed the workings of the human body to be an analogy for the workings of the universe." It is also believed by some that Leonardo symbolized the material existence by the square and spiritual existence by the circle. Thus he attempted to depict the correlation between these two aspects of human existence.[3] According to Leonardo's notes in the accompanying text, written in mirror writing, it was made as a study of the proportions of the (male) human body as described in a treatise by the Ancient Roman architect Vitruvius, who wrote that in the human body:
a palm is the width of four fingers
a foot is the width of four palms
a cubit is the width of six palms
a man's height is four cubits (and thus 24 palms)
a pace is four cubits
the length of a man's outspread arms is equal to his height
the distance from the hairline to the bottom of the chin is one-tenth of a man's height
the distance from the top of the head to the bottom of the chin is one-eighth of a man's height
the maximum width of the shoulders is a quarter of a man's height
the distance from the elbow to the tip of the hand is one-fifth of a man's height
the distance from the elbow to the armpit is one-eighth of a man's height
the length of the hand is one-tenth of a man's height
the distance from the bottom of the chin to the nose is one-third of the length of the head
the distance from the hairline to the eyebrows is one-third of the length of the face
the length of the ear is one-third of the length of the face
Leonardo is clearly illustrating Vitruvius' De architectura 3.1.3 which reads:
The navel is naturally placed in the centre of the human body, and, if in a man lying with his face upward, and his hands and feet extended, from his navel as the centre, a circle be described, it will touch his fingers and toes. It is not alone by a circle, that the human body is thus circumscribed, as may be seen by placing it within a square. For measuring from the feet to the crown of the head, and then across the arms fully extended, we find the latter measure equal to the former; so that lines at right angles to each other, enclosing the figure, will form a square.
The multiple viewpoint that set in with Romanticism has convinced us that there is no such thing as a universal set of proportions for the human body. The field of anthropometry was created in order to describe these individual variations. Vitruvius' statements may be interpreted as statements about average proportions. Vitruvius goes through some trouble to give a precise mathematical definition of what he means by saying that the navel is the center of the body, but other definitions lead to different results; for example, the center of mass of the human body depends on the position of the limbs, and in a standing posture is typically about 10 cm lower than the navel, near the top of the hip bones.
How do people earn a living from painting etc?
Do art galleries make it possible for unknown painters to display their work?
Any experiences please feel free to tell.
I have a friend who does botanical illustrations for a living, in watercolour. Beautiful work, though he insists that he is an "illustrator" and not an artist.
He gets commissions from unis and botanical gardens all over the world.
Max Ernst (April 2, 1891 -- April 1, 1976) was a German Dadaist and surrealist artist.
Max Ernst was born in Brühl, Germany, near Cologne. In 1909, he enrolled in the University at Bonn to study philosophy but soon abandoned the courses. He began painting that year.
During World War I he served in the German army, which was a momentus interruption in his career as an artist. He stated in his autobiography, "Max Ernst died the 1st of August, 1914".
After the war, filled with new ideas, Ernst, Jean Arp and social activist Alfred Grünwald, formed the Cologne, Germany Dada group. In 1918 he married the art historian Luise Straus — a stormy relationship that would not last. (She died in Auschwitz in 1944.) In 1919 Ernst visited Paul Klee and created paintings, block prints and collages, and experimented with mixed media.
In 1922, he returned to the artistic community at Montparnasse in Paris. In Montparnasse he was a central figure in the birth of André Breton's desire to ostracize Ernst's friend Paul Éluard from the surrealist group.
Constantly experimenting, in 1925 he invented a graphic art technique called frottage, which uses pencil rubbings of objects as a source of images. The next year he collaborated with Joan Miró on designs for Sergei Diaghilev. With Miró's help, Ernst pioneered grattage in which he troweled pigment from his canvases.
Ernst developed a fascination with birds that was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested this alter-ego was an extension of himself stemming from an early confusion of birds and humans. He said his sister was born soon after his bird died. Loplop often appeared in collages of other artists' work, such as Loplop presents André Breton.
Ernst drew a great deal of controversy with his 1926 painting The Virgin Chastises the infant Jesus before Three Witnesses: André Breton, Paul Éluard, and the Painter.
In 1927 he married Marie-Berthe Aurenche. It is said that "his relationship with her may have inspired the erotic subject matter of this painting and others of this year."
Ernst began to sculpt in 1934, and spent time with Alberto Giacometti.
In 1938, the American heiress Peggy Guggenheim acquired a number of Max Ernst's works which she displayed in her new museum in London.
Following the onset of World War II, Ernst was detained as an enemy alien in France but with the assistance of the American journalist Varian Fry in Marseille, he managed to escape the country with Peggy Guggenheim. He left behind his lover, Leonora Carrington, and she suffered a major mental breakdown. Ernst and Guggenheim arrived in the United States in 1941 and were married the following year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of Abstract expressionism.
His marriage to Guggenheim did not last, and in Beverly Hills, California in October of 1946, in a double ceremony with Man Ray and Juliet Browner, he married Dorothea Tanning. The couple first made their home in Sedona, Arizona.
In 1948 Ernst wrote the treatise Beyond Painting. As a result of the publicity, he began to achieve financial success.
In 1953 he and Tanning moved to a small town in the south of France where he continued to work. The City, and the Galeries Nationales du Grand-Palais in Paris published a complete catalogue of his works.
Ernst died on April 1, 1976, in Paris, France and was interred there in the Père Lachaise Cemetery.
Ledger portrait wins Archibald People's prize
Posted 13 minutes ago
A portrait of actor Heath Ledger has been declared the people's favourite in this year's Archibald prize, with 32,000 people voting.
Vincent Fantauzzo won the People's Choice award for his painting Heath, which was finished just two weeks before the actor's death in January.
Fantauzzo says winning the People's Award is as important to him as the main prize.
"I think this painting was extra special because Heath and I really collaborated and we took the idea really seriously," he said.
"I'd like to thank Heath also and Heath's family for all of their support during the exhibition."
How do people earn a living from painting etc?
Do art galleries make it possible for unknown painters to display their work?
Any experiences please feel free to tell.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?